DENVER -- Relief pitcher LaTroy Hawkins and the Colorado Rockies finalized their
$2.
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.5 million, one-year contract on Friday. Hawkins, who turns 41 in December, will
compete with Rex Brothers for the closers role at spring training. The
right-handed Hawkins was 3-2 with a 2.93 ERA and 13 saves this year for the New
York Mets, who wanted to re-sign him but were willing to pay that much. This
will be Hawkins 20th straight big league season and his second stop in the Mile
High City. He played a big role in the bullpen in 2007, when the Rockies made
their only run to the World Series before being swept by the Boston Red Sox. He
gets a $2.25 million salary next season, and the Rockies have a $2.25 million
option for 2015 with a $250,000 buyout.
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side created most of the chances but struggled to break down Braunschweigs
resilient defence, resulting in the Bundesligas 1,000th scoreless draw.
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. Paul Pierce couldnt believe he missed at the end. Young scored a season-high
26 points to spark a huge effort from the leagues most productive bench, and Los
Angeles beat the Brooklyn Nets 99-94 on Wednesday night after blowing a 27-point
lead.
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. "I was fortunate to play many years at this level with a great organization
and unbelievable teammates," said Hejduk in a statement.What is the Olympic
readiness of Canadas champions after their first Grand Prix event? Are they on
track or in trouble early in this Olympic season? The results from Skate Canada
International in Saint John, New Brunswick, though mixed, bode well and while we
are still over three months out, there are some encouraging signs and lots of
reasons for optimism heading to Sochi. The one thing we know for sure is that
Tessa Virtue and Scott Moirs new free dance has Olympics written all over it.
Their music is by Russian composer Alexander Glazunov, who is described as a
Romantic Classicist. It is an emotionally poignant and uplifting piece that
plays to Tessa and Scotts strengths and is bound to captivate the Sochi
audience. Last year, the reviews for their provocative Carmen free dance were
mixed. The daring darkness of the dance brought either "love it or hate it" kind
of reactions. The reviews of the new Olympic free dance have been universal in
their praise. Artistically and creatively, it is a winner and a crowd pleaser
that is vintage Virtue and Moir. The gold will demand endless hours now of
drilling and refining in preparation for challenging U.S. rivals Meryl Davis and
Charlie White. The stage is set for an intriguing showdown. In an Olympic year,
one cannot underestimate the value of a stable and supportive training
environment and Patrick Chan has found that place in Detroit with coach Kathy
Johnson. In his words, he is "happy" and it shows. He is patient and confident
in practice, not perfect by any stretch but unfazed by any stumbles or jumping
errors. In a warmup at Skate Canada, he had a jarring fall on a quad, shrugged,
circled and did it again as it was intended. It was a decisive win at Skate
Canada. His demeanour spoke of confidence, preparedness and experience,
qualities that were missing heading into Vancouver. As he builds to Sochi and
expectations rise and demands on him increase, it is the balance he has built in
his life outside the rink and the foundation he has built in it that will, he
hopes, make the difference. For Canadian pairs champions Meagan Duhammel and
Eric Radford, it was a bit of a case of, youd better "dance with the one who
brung you". In the past, it was their feisty ability to maximize technical risk
and capitalize on it that got them to the world podium and it is the technical
mark that let them down at Skate Canada International. In whaat Meagan called
their lowest technical score ever, they dropped to third in their long program.
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Their focus in Saint John was on artistry and character development and, while
they delivered emotionally charged performances, their new focus distracted them
from what they do best and their challenge over the next few weeks will be to
bring the old and new together. The one thing I know about these two is that
they are fighters and, with the less than stellar start and their backs to the
wall, they will come out swinging. Dont drop your hands, dont count them out.
Just when Kaetlyn Osmond thought she could begin her Olympic quest in earnest,
she suffered another setback. Having missed a number of weeks due to an injured
foot heading into Skate Canada, Kaetlyn woke up after the short program with a
sore hamstring and was unable to compete in the free skate. The word is, she has
tears in two tendons in her hamstring and will see limited ice and training time
for the next 7-10 days, at which time it is expected to have healed. It adds up
to a lot of training missed and can set up the cycle of overtraining to catch up
and then reinjuring. She is young and has a bubbly personality so it will be
tough to contain her. Kaetlyn has three weeks until her next Grand Prix and it
is their plan that she will compete. Other Canadian honorable mentions and
notable performances were those of Kaitlyn Weaver and Andrew Poje who finished
second in the Ice Dance event, Amelie Lacostes short program and Eladje Baldes
quad in the short. One of the most compelling performances for me at Skate
Canada International was that of 28-year-old Akiko Suzuki from Japan, who
critics often dismiss as being too old and past her prime. Her performances were
captivating and her joy was palpable every time she took the ice. Watching her
compete, I was reminded of a conversation I had with Elvis Stojko before one of
his Olympic Games. When discussing dealing with Olympic pressure, he said, "I
just want to remember why it is I love to skate and, if I can think of that, I
will have the right frame of mind to compete." Canadas skaters would do well to
take that phrase to heart. Through all the hype and the weight of pressure and
expectations of an Olympic season, it is remembering the pure joy of skating
that can keep things in perspective, calm the nerves and inspire break-out
performances on the road to Sochi.
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