Liverpool moved to the top of the Premier League table with an emphatic 6-1
victory over Watford at Anfield on Sunday.
Adidas Pure Boost Bleu .Sadio Mane scored
twice, Roberto Firmino had a goal with two assists and Philippe Coutinho added
one of each as the Reds (8-2-1) extended their unbeaten streak over all
competitions to 12 straight. Winners of four consecutive overall, Liverpool own
a one-point lead over Chelsea in the league table heading into the international
break.The Reds were 3-0 up by the break Sunday after blitzing the visitors in
the first 45.Mane opened the scoring with a glancing header on 27 minutes, then
Liverpool went 2-0 up just three minutes later as Coutinho drilled in a shot
past Watfords Heurelho Gomes from the edge of the area.Gomes then picked up an
injury which meant Costel Pantilimon was summoned, and it wasnt long before the
substitute keeper was also picking the ball out of the net.Adam Lallana -- who
had two assists -- found Emre Can at the far post and the German found the
corner of the net with a perfectly placed header in the 43rd.Firmino got on the
scoresheet on 57 minutes before turning provider three minutes later when he
picked out Mane in the box for his second of the game.Watford (4-3-4), in danger
of capitulating completely, found their feet at five down and after a decent
spell of pressure. Daryl Janmaat scored on a neat finish with 15 minutes
remaining.The defeat snapped a 2-2-0 league stretch for Watford.
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. -- Stanford squashed Oregons national championship hopes again, schooling the
Ducks in power football. Hindustani classical music - the millennia-old premier
art form of the subcontinent - is almost impossible to appreciate without
understanding its meanings and symbols. For anyone ignorant of that context, the
form can be both aesthetically confusing and fundamentally boring.I began
thinking about the subtle difference between something that one person might
find boring and another would view as a work of art, while watching the fourth
day of the third Test between England and Pakistan.Pakistan had taken two quick
wickets and were bowling wide of the stumps with a spread field. All over TV and
social media, people complained of how boring it was. Could a little context
have provided greater appreciation?Let us return to our analogy. Understanding
the context, and purpose, of classical music is almost essential to be able to
enjoy it. It has been often posited that Hindustani classical music was
developed to embody the concept of time as held in Hinduism: time is understood
to be cyclical, not just at the level of days and seasons but also at the level
of the universe, with long cycles of change. Cycles are understood to repeat,
yet also not be exactly similar to each other.About seven centuries ago the
influence of Sufi Muslim thought on Hindustani classical music began to show.
The Sufi musician Hazrat Inayat Khan wrote that the whole universe is a single
mechanism working by the law of rhythm […] cycles of rhythm with major cycles
and minor cycles interpenetrating uphold the whole creation in their swing.
Musically, then, the idea developed of repeating cycles with subtle changes of
rhythm within them serving as a theme of expression for the artist.In a way,
Michael Holding, Shane Warne and perhaps millions of others were subjected to a
similar performance at Edgbaston. Both the former bowlers, who were commentating
when Rahat Ali embarked on a series of maidens against Joe Root, were aghast at
Pakistans tactics. To them it seemed like an admission of defeat right when
Pakistan looked strongest. The ESPNcricinfo commentary team agreed.52.4 Rahat
Ali to Root, no run, too wide once again, not entirely sure what the tactic
is... but Misbah gives his man a big clap for his determined widthEven when
Pakistans negative tactics are explained, as Nasser Hussain did in the
commentary box right after, they are explained within the framework of
pragmatism and conservatism. There is very little understanding of why they do
what they do. At the heart of these tactics is the belief that modern batting
has changed irrevocably.
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After almost two decades of neo-liberal Australianism in which Test batting sped
up considerably and players started playing shorter formats more often, cricket
has come to a precipice. Unlike before, where perhaps a batsman needed a vacant
cover to be tempted into a drive, modern batsmen now play shots compulsively,
particularly their go-to shots. Even if a fielder is present, they need to play
that shot just to feel in control.The trick, then, is to make them wait for it,
and to force them to lash out eventually and make a mistake. So the plan is to
repeat cycles of the same bowling line, using subtle changes in length and
movement to serve as the rhythm. After a couple of overs of dot-balls, Rahats
changes began to entrap Root.54.3 Rahat Ali to Root, no run, thats sharp again,
a bit of extra nip from a good length, and the angle brings the edge of Roots
bat into peril. Gets away with it 54.5 Rahat Ali to Root, no run, good probing
line, swinging late, outside off, and Root is lured by this one. The pressure is
starting to tell...54.6 Rahat Ali to Root, no run, that is a very fine over, the
fourth maiden in a row, as Root is once again forced to make a decision outside
off, and just about keeps his bat out of harms wayMuch like with Hindustani
classical music, the appreciation of these variations is not possible if one
expects a basic, linear narrative. Ideas recur but in subtly different ways.
Bowl wide and sometimes get one to seam, or to swing, or to roll by innocuously.
Like notes in classical music, none of the variations are out of place or
without purpose. Instead, they keep building, note by note, ball by ball,
towards the same cycles, similar yet apart.My favourite performer in this entire
spell was Root, who knew of the trap that was being laid for him, and yet also
realised that his only purpose was to play a single note. Eventually he played
his part, only for Mohammad Hafeez to destroy the entire spell by failing to
hold on to the catch.It would be unfair to say Pakistan lost the Test due to
Hafeezs dropped catch. The poor bowling later that day, and the collapse the day
after, were more immediate causes. But that passage of play on day four was the
moment that a team that has forged its identity in crickets backwaters composed
its own virtuoso performance. It is an eternal shame that it fell apart right
when it was hitting its peak.
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